| Type | work | bureau |
|---|
| Year / years | 2002 | 1968 |
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| Place | Sao Paulo, Sao Paulo, Brazil | Paris, Ile-de-France, France |
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| Place context | Rua São Bento, Glicério, São Paulo, São Paulo, Brasil | Representative site: 夢咲トンネル, 住之江区, 南港北二丁目, 大阪市, 日本 |
|---|
| Climate | 25°C · 11.4h daylight · 10 km/h wind | 14°C · 13.4h daylight · 22 km/h wind · via Osaka Maritime Museum |
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| Focus | Public square canopy and urban intervention | 4 works in corpus |
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| Architects | | |
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| Linked context | Bureaus - Paulo Mendes da Rocha Arquitetos
| Notable works - Osaka Maritime Museum
- Guangzhou Gymnasium
- Oriental Art Center
- Suzhou Culture and Arts Centre
|
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| Typologies | - public space
- urban intervention
- civic infrastructure
| - museum
- building
- performance venue
- landscape
|
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| Materials | | Not recorded yet. |
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| Carbon signals | Concrete and Steel look like the main embodied-carbon drivers in the current palette. | museum, building, performance venue, and landscape gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
| No levers surfaced yet. |
|---|
| Accessibility | Publicly accessible | 3 of 3 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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