| Type | work | bureau |
|---|
| Year / years | 2017 | 1968 |
|---|
| Place | Bordeaux, Nouvelle-Aquitaine, France | Paris, Ile-de-France, France |
|---|
| Place context | Bordeaux, Nouvelle-Aquitaine, France | Representative site: Nankō-kita, Nankō-kita, Japan |
|---|
| Climate | 12°C · 13.8h daylight · 7 km/h wind | 19°C · 13.3h daylight · 10 km/h wind · via Osaka Maritime Museum |
|---|
| Focus | Housing renovation | 4 works in corpus |
|---|
| Architects | - Anne Lacaton
- Jean-Philippe Vassal
| |
|---|
| Linked context | Bureaus | Notable works - Osaka Maritime Museum
- Guangzhou Gymnasium
- Oriental Art Center
- Suzhou Culture and Arts Centre
|
|---|
| Typologies | - housing
- renovation
- social housing
| - museum
- building
- performance venue
- landscape
|
|---|
| Materials | - concrete
- glass
- polycarbonate
| Not recorded yet. |
|---|
| Carbon signals | Concrete, Glass, and Polycarbonate look like the main embodied-carbon drivers in the current palette. - Concrete
- Glass
- Polycarbonate
| museum, building, performance venue, and landscape gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
- Use classification and product-level EPD research to place this material more precisely.
| No levers surfaced yet. |
|---|
| Accessibility | Private or restricted | 3 of 3 recorded works are publicly accessible |
|---|
| Related books | | No linked books yet. |
|---|