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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Nagoya City Art Museum in Sakae 2-chōme, Japan
Nagoya City Art Museum

1988 · Sakae 2-chōme, Sakae 2-chōme, Japan

Nagoya City Art Museum image

Museum in Nagoya, Aichi, Japan

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Nagoya City Art Museum

Sakae 2-chōme, Sakae 2-chōme, Japan · Exact work coordinates

OpenStreetMap
Field
Nagoya City Art MuseumNagoya City Art Museum

1988 · Sakae 2-chōme, Sakae 2-chōme, Japan

Oscar NiemeyerOscar Niemeyer

1940 · Rio de Janeiro, Rio de Janeiro, Brazil

Typeworkbureau
Year / years19881940
PlaceSakae 2-chōme, Sakae 2-chōme, JapanRio de Janeiro, Rio de Janeiro, Brazil
Place contextSakae 2-chōme, Sakae 2-chōme, JapanRepresentative site: Milan, Milan, Italy
Climate14°C · 13.2h daylight · 1 km/h wind15°C · 13.8h daylight · 4 km/h wind · via Mondadori
FocusMuseum58 works in corpus
Architects
  • Kisho Kurokawa
  • Oscar Niemeyer
Linked context

Bureaus

  • Kisho Kurokawa Architect & Associates

Notable works

  • Mondadori
  • Grande Hotel of Ouro Preto
  • Casa do Baile
  • Church of Saint Francis of Assisi, Pampulha
Typologies
  • museum
  • landscape
  • building
  • hospitality
  • church
  • sacred space
  • chapel
  • landscape
  • performance venue
  • gallery
Materials

Not recorded yet.

  • concrete
  • glass
Carbon signals

museum and landscape gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Concrete and Glass look like the main embodied-carbon drivers in the current palette.

  • Concrete
  • Glass
Lower-carbon levers

No levers surfaced yet.

  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
AccessibilityPublicly accessible24 of 24 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.