| Type | work | bureau |
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| Year / years | 2017 | 1973 |
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| Place | Hamburg, Hamburg, Germany | Chicago, Illinois, United States |
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| Place context | Tube, HafenCity, Quartier Am Sandtorkai/Dalmannkai, Hamburg, Deutschland | Representative site: エレベーター;1階, 丸の内一丁目, 千代田区, 日本 |
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| Climate | 10°C · 13.9h daylight · 12 km/h wind | 13°C · 13.1h daylight · 4 km/h wind · via Tokyo Station |
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| Focus | Concert hall | 16 works in corpus |
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| Architects | - Jacques Herzog
- Pierre de Meuron
| |
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| Linked context | Bureaus | Notable works - Tokyo Station
- Museum of Contemporary Art San Diego
- Michigan City Public Library
- 11 Diagonal Street
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| Typologies | - concert hall
- adaptive reuse
- cultural building
| - building
- museum
- library
- tower
- office
- house
- hospitality
- campus building
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| Materials | | |
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| Carbon signals | Steel, Brick, and Glass look like the main embodied-carbon drivers in the current palette. | Steel and Glass look like the main embodied-carbon drivers in the current palette. |
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| Lower-carbon levers | - Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| - Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
|
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| Accessibility | Publicly accessible | 3 of 3 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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