| Type | work | bureau |
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| Year / years | 2017 | 1972 |
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| Place | Hamburg, Hamburg, Germany | Los Angeles, California, United States |
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| Place context | Tube, HafenCity, Quartier Am Sandtorkai/Dalmannkai, Hamburg, Deutschland | Representative site: East 8th Avenue, River Edge Public Plaza, Eugene, Oregon, United States |
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| Climate | 10°C · 13.7h daylight · 19 km/h wind | 16°C · 13.3h daylight · 9 km/h wind · via Wayne Lyman Morse United States Courthouse |
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| Focus | Concert hall | 5 works in corpus |
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| Architects | - Jacques Herzog
- Pierre de Meuron
| |
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| Linked context | Bureaus | Notable works - Wayne Lyman Morse United States Courthouse
- 41 Cooper Square
- Casablanca Finance City Tower
- Phare Tower
|
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| Typologies | - concert hall
- adaptive reuse
- cultural building
| - house
- civic building
- gallery
- education
- transport hub
- tower
- office
- building
|
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| Materials | | |
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| Carbon signals | Steel, Brick, and Glass look like the main embodied-carbon drivers in the current palette. | Concrete look like the main embodied-carbon drivers in the current palette. |
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| Lower-carbon levers | - Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
|
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| Accessibility | Publicly accessible | 2 of 2 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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