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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Vilamajo House Museum in Montevideo, Uruguay
Vilamajo House Museum

1930 · Montevideo, Montevideo Department, Uruguay

Vilamajo House Museum image

Seed wave 45 image for the Vilamajo House Museum.

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Vilamajo House Museum

Montevideo, Montevideo Department, Uruguay · Exact work coordinates

OpenStreetMap
Field
Vilamajo House MuseumVilamajo House Museum

1930 · Montevideo, Montevideo Department, Uruguay

Moriyama Teshima ArchitectsMoriyama Teshima Architects

1958 · Toronto, Ontario, Canada

Typeworkbureau
Year / years19301958
PlaceMontevideo, Montevideo Department, UruguayToronto, Ontario, Canada
Place contextMontevideo, Montevideo Department, UruguayRepresentative site: Ottawa, Ottawa, Canada
Climate20°C · 11.1h daylight · 9 km/h wind7°C · 13.7h daylight · 18 km/h wind · via Canadian War Museum
FocusHouse museum8 works in corpus
Architects
  • Julio Vilamajo
  • Raymond Moriyama
Linked context

Bureaus

  • Julio Vilamajo

Notable works

  • Canadian War Museum
  • Ontario Science Centre
  • William G. Davis Building
  • Toronto Reference Library
Typologies
  • house
  • museum
  • residence
  • museum
  • library
  • house
  • performance venue
  • education
  • campus building
  • hospitality
  • office
Materials
  • masonry
  • stucco
  • timber
  • glass
Carbon signals

Brick and Stucco look like the main embodied-carbon drivers in the current palette.

  • Brick
  • Stucco

Glass look like the main embodied-carbon drivers in the current palette.

  • Glass
Lower-carbon levers
  • Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
  • Use classification and product-level EPD research to place this material more precisely.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
AccessibilityPublicly accessible7 of 7 recorded works are publicly accessible
Related books

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