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Compare

Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

No plan or image is recorded for this slot yet.
Kimbell Art Museum

1972 · Fort Worth, Texas, United States

Fort Worth, Texas, United States

10°C · 13.2h daylight · 4 km/h wind

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Kimbell Art Museum

Fort Worth, Texas, United States · City-level coordinates only

OpenStreetMap

Kimbell Art Museum

Image 1

Fort Worth, Texas, United States

Climate: 10°C · 13.2h daylight · 4 km/h wind

Mapping: City-level coordinates only

Field
Kimbell Art MuseumKimbell Art Museum

1972 · Fort Worth, Texas, United States

Moriyama Teshima ArchitectsMoriyama Teshima Architects

1958 · Toronto, Ontario, Canada

Typeworkbureau
Year / years19721958
PlaceFort Worth, Texas, United StatesToronto, Ontario, Canada
Place contextFort Worth, Texas, United StatesRepresentative site: Ottawa, Ottawa, Canada
Climate10°C · 13.2h daylight · 4 km/h wind-1°C · 13.8h daylight · 15 km/h wind · via Canadian War Museum
FocusMuseum8 works in corpus
Architects
  • Louis Kahn
  • Raymond Moriyama
Linked context

Bureaus

  • Louis Kahn

Notable works

  • Canadian War Museum
  • Ontario Science Centre
  • William G. Davis Building
  • Toronto Reference Library
Typologies
  • museum
  • art museum
  • cultural building
  • museum
  • library
  • house
  • performance venue
  • education
  • campus building
  • hospitality
  • office
Materials
  • concrete
  • travertine
  • aluminum
  • glass
Carbon signals

Aluminum, Concrete, and Travertine look like the main embodied-carbon drivers in the current palette.

  • Aluminum
  • Concrete
  • Travertine

Glass look like the main embodied-carbon drivers in the current palette.

  • Glass
Lower-carbon levers
  • Focus on recycled content, lighter assemblies, and careful facade-specification choices.
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Use classification and product-level EPD research to place this material more precisely.
  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
AccessibilityPublicly accessible7 of 7 recorded works are publicly accessible
Related books

No linked books yet.