| Type | work | bureau |
|---|
| Year / years | 1967 | 1938 |
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| Place | Westmount, Westmount, Canada | Chicago, Illinois, United States |
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| Place context | Avenue Elm, Westmount, Québec, Canada | Representative site: Bissonnet Street, Houston, Texas, United States |
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| Climate | 4°C · 13.4h daylight · 9 km/h wind | 23°C · 12.8h daylight · 14 km/h wind · via Museum of Fine Arts, Houston |
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| Focus | Housing | 12 works in corpus |
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| Architects | | |
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| Linked context | Bureaus | Notable works - Museum of Fine Arts, Houston
- November Revolution Monument
- Barcelona Pavilion
- Villa Tugendhat
|
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| Typologies | | - museum
- gallery
- campus building
- memorial
- pavilion
- building
- house
- performance venue
|
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| Materials | | |
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| Carbon signals | The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter. No dominant drivers yet. | Concrete and Glass look like the main embodied-carbon drivers in the current palette. |
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| Lower-carbon levers | - Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
- Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
|
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| Accessibility | Access not recorded | 4 of 4 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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