| Type | work | bureau |
|---|
| Year / years | 1984 | Unrecorded |
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| Place | Alberta, Alberta, Canada | Berlin, Germany |
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| Place context | Alberta, Alberta, Canada | Representative site: Houston, Houston, United States |
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| Climate | 16°C · 14.3h daylight · 15 km/h wind | 20°C · 13.0h daylight · 14 km/h wind · via Museum of Fine Arts, Houston |
|---|
| Focus | House | 20 works in corpus |
|---|
| Architects | | |
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| Linked context | Bureaus - Douglas Cardinal Architect
| Notable works - Museum of Fine Arts, Houston
- November Revolution Monument
- Barcelona Pavilion
- Villa Tugendhat
|
|---|
| Typologies | - house
- performance venue
- landscape
| - museum
- gallery
- campus building
- memorial
- pavilion
- building
- house
- performance venue
|
|---|
| Materials | | - concrete
- glass
- timber
- steel
- brick
|
|---|
| Carbon signals | The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter. No dominant drivers yet. | Concrete, Steel, and Brick look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | - Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
|
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| Accessibility | Publicly accessible | 8 of 8 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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