| Type | work | bureau |
|---|
| Year / years | 1972 | Unrecorded |
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| Place | Fort Worth, Texas, United States | Berlin, Germany |
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| Place context | Fort Worth, Texas, United States | Representative site: Houston, Houston, United States |
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| Climate | 15°C · 13.2h daylight · 9 km/h wind | 16°C · 13.0h daylight · 11 km/h wind · via Museum of Fine Arts, Houston |
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| Focus | Museum | 20 works in corpus |
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| Architects | | |
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| Linked context | Bureaus | Notable works - Museum of Fine Arts, Houston
- November Revolution Monument
- Barcelona Pavilion
- Villa Tugendhat
|
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| Typologies | - museum
- art museum
- cultural building
| - museum
- gallery
- campus building
- memorial
- pavilion
- building
- house
- performance venue
|
|---|
| Materials | - concrete
- travertine
- aluminum
| - concrete
- glass
- timber
- steel
- brick
|
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| Carbon signals | Aluminum, Concrete, and Travertine look like the main embodied-carbon drivers in the current palette. - Aluminum
- Concrete
- Travertine
| Concrete, Steel, and Brick look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | - Focus on recycled content, lighter assemblies, and careful facade-specification choices.
- Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Use classification and product-level EPD research to place this material more precisely.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
|
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| Accessibility | Publicly accessible | 8 of 8 recorded works are publicly accessible |
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| Related books | | No linked books yet. |
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