| Type | work | bureau |
|---|
| Year / years | Unknown | 1938 |
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| Place | Alfragide, Alfragide, Portugal | Chicago, Illinois, United States |
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| Place context | Rua Pinheiro Borges, Alfragide, Amadora, Portugal | Representative site: Bissonnet Street, Houston, Texas, United States |
|---|
| Climate | 13°C · 13.3h daylight · 6 km/h wind | 28°C · 12.9h daylight · 20 km/h wind · via Museum of Fine Arts, Houston |
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| Focus | Housing | 12 works in corpus |
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| Architects | | |
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| Linked context | Bureaus | Notable works - Museum of Fine Arts, Houston
- November Revolution Monument
- Barcelona Pavilion
- Villa Tugendhat
|
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| Typologies | | - museum
- gallery
- campus building
- memorial
- pavilion
- building
- house
- performance venue
|
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| Materials | Not recorded yet. | |
|---|
| Carbon signals | housing, tower, and landscape gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | Concrete and Glass look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | No levers surfaced yet. | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
- Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
|
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| Accessibility | Publicly accessible | 4 of 4 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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