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Compare

Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Yokosuka Museum of Art in Yokosuka, Japan
Yokosuka Museum of Art

2007 · Yokosuka, Yokosuka, Japan

Yokosuka Museum of Art image

Museum in Yokosuka, Kanagawa Prefecture, Japan

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Yokosuka Museum of Art

Yokosuka, Yokosuka, Japan · Exact work coordinates

OpenStreetMap
Field
Yokosuka Museum of ArtYokosuka Museum of Art

2007 · Yokosuka, Yokosuka, Japan

Michael Graves Architecture & DesignMichael Graves Architecture & Design

1964 · Princeton, New Jersey, United States

Typeworkbureau
Year / years20071964
PlaceYokosuka, Yokosuka, JapanPrinceton, New Jersey, United States
Place contextYokosuka, Yokosuka, JapanRepresentative site: Minneapolis, Minneapolis, United States
Climate16°C · 13.3h daylight · 17 km/h wind5°C · 13.7h daylight · 10 km/h wind · via Minneapolis Institute of Art
FocusMuseum15 works in corpus
Architects
  • Riken Yamamoto
  • Michael Graves
Linked context

Bureaus

  • Riken Yamamoto & Field Shop

Notable works

  • Minneapolis Institute of Art
  • Detroit Institute of Arts
  • Michael C. Carlos Museum
  • Louwman Museum
Typologies
  • museum
  • landscape
  • museum
  • library
  • education
  • campus building
  • house
  • office
  • performance venue
  • hospitality
Materials

Not recorded yet.

  • timber
  • stone
Carbon signals

museum and landscape gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Stone look like the main embodied-carbon drivers in the current palette.

  • Stone
Lower-carbon levers

No levers surfaced yet.

  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
AccessibilityPublicly accessible9 of 9 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.