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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

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Projects

1 selected · 1 other item held elsewhere in the compare set

Bureaus

1 selected · 1 other item held elsewhere in the compare set

Visual compare

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Walsh Street House in Melbourne, Australia

Hero image

Walsh Street House

1958 · Melbourne, Victoria, Australia

Walsh Street House image

Seed wave 58 image for Walsh Street House.

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Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Walsh Street House

Melbourne, Victoria, Australia · Exact work coordinates

OpenStreetMap

Comparison

Field
Walsh Street HouseWalsh Street House

1958 · Melbourne, Victoria, Australia

Michael Graves Architecture & DesignMichael Graves Architecture & Design

1964 · Princeton, New Jersey, United States

Typeworkbureau
Year / years19581964
PlaceMelbourne, Victoria, AustraliaPrinceton, New Jersey, United States
Place contextMelbourne, Victoria, AustraliaRepresentative site: Minneapolis, Minneapolis, United States
Climate25°C · 10.9h daylight · 13 km/h wind13°C · 13.9h daylight · 3 km/h wind · via Minneapolis Institute of Art
FocusHouse15 works in corpus
Architects
  • Robin Boyd
  • Michael Graves
Linked context

Bureaus

  • Robin Boyd

Notable works

  • Minneapolis Institute of Art
  • Detroit Institute of Arts
  • Michael C. Carlos Museum
  • Louwman Museum
Typologies
  • house
  • residential
  • modernism
  • museum
  • library
  • education
  • campus building
  • house
  • office
  • performance venue
  • hospitality
Materials
  • brick
  • glass
  • timber
  • timber
  • stone
Carbon signals

Brick and Glass look like the main embodied-carbon drivers in the current palette.

  • Brick
  • Glass

Stone look like the main embodied-carbon drivers in the current palette.

  • Stone
Lower-carbon levers
  • Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
AccessibilityPrivate or restricted9 of 9 recorded works are publicly accessible
Related books

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