| Type | work | bureau |
|---|
| Year / years | 1973 | 1964 |
|---|
| Place | Sydney, New South Wales, Australia | Princeton, New Jersey, United States |
|---|
| Place context | Sydney, New South Wales, Australia | Representative site: Minneapolis, Minneapolis, United States |
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| Climate | 18°C · 10.9h daylight · 6 km/h wind | 16°C · 14.0h daylight · 5 km/h wind · via Minneapolis Institute of Art |
|---|
| Focus | opera house | 15 works in corpus |
|---|
| Architects | | |
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| Linked context | Bureaus - Jørn Utzon
- Utzon Arkitekter
| Notable works - Minneapolis Institute of Art
- Detroit Institute of Arts
- Michael C. Carlos Museum
- Louwman Museum
|
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| Typologies | - cultural
- theaters performance
- opera house
- cultural center
- kim utzon
| - museum
- library
- education
- campus building
- house
- office
- performance venue
- hospitality
|
|---|
| Materials | | |
|---|
| Carbon signals | Concrete and Steel look like the main embodied-carbon drivers in the current palette. | Stone look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
| - Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
- Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
|
|---|
| Accessibility | Access not recorded | 9 of 9 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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