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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Santa Maria dell'Anima in Rome, Italy
Santa Maria dell'Anima

1522 · Rome, Rome, Italy

Santa Maria dell'Anima image

Church in Rome, Italy

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Santa Maria dell'Anima

Rome, Rome, Italy · Exact work coordinates

OpenStreetMap
Field
Santa Maria dell'AnimaSanta Maria dell'Anima

1522 · Rome, Rome, Italy

Michael Graves Architecture & DesignMichael Graves Architecture & Design

1964 · Princeton, New Jersey, United States

Typeworkbureau
Year / years15221964
PlaceRome, Rome, ItalyPrinceton, New Jersey, United States
Place contextRome, Rome, ItalyRepresentative site: Minneapolis, Minneapolis, United States
Climate20°C · 13.6h daylight · 12 km/h wind10°C · 13.8h daylight · 22 km/h wind · via Minneapolis Institute of Art
FocusSacred building15 works in corpus
Architects
  • Donato Bramante
  • Michael Graves
Linked context

Bureaus

  • Donato Bramante

Notable works

  • Minneapolis Institute of Art
  • Detroit Institute of Arts
  • Michael C. Carlos Museum
  • Louwman Museum
Typologies
  • church
  • sacred space
  • museum
  • library
  • education
  • campus building
  • house
  • office
  • performance venue
  • hospitality
Materials

Not recorded yet.

  • timber
  • stone
Carbon signals

church and sacred space gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Stone look like the main embodied-carbon drivers in the current palette.

  • Stone
Lower-carbon levers

No levers surfaced yet.

  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
AccessibilityPublicly accessible9 of 9 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.