| Type | work | bureau |
|---|
| Year / years | 2008 | 1964 |
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| Place | Oslo, Oslo, Norway | Princeton, New Jersey, United States |
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| Place context | Operagata, Bjørvika, Oslo, Norge | Representative site: 3rd Avenue South, Phillips, Whittier, Minneapolis, Minnesota, United States |
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| Climate | 11°C · 14.7h daylight · 7 km/h wind | 26°C · 13.6h daylight · 19 km/h wind · via Minneapolis Institute of Art |
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| Focus | Opera house | 15 works in corpus |
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| Architects | | |
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| Linked context | Bureaus | Notable works - Minneapolis Institute of Art
- Detroit Institute of Arts
- Michael C. Carlos Museum
- Louwman Museum
|
|---|
| Typologies | - performance venue
- civic building
- opera house
| - museum
- library
- education
- campus building
- house
- office
- performance venue
- hospitality
|
|---|
| Materials | | |
|---|
| Carbon signals | Concrete, Glass, and Stone look like the main embodied-carbon drivers in the current palette. | The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
- Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
| - Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
|
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| Accessibility | Publicly accessible | 9 of 9 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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