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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Notre-Dame du Haut in Ronchamp, France
Notre-Dame du Haut

1956 · Ronchamp, Ronchamp, France

Notre-Dame du Haut image

Church in Ronchamp, France

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Notre-Dame du Haut

Ronchamp, Ronchamp, France · Exact work coordinates

OpenStreetMap
Field
Notre-Dame du HautNotre-Dame du Haut

1956 · Ronchamp, Ronchamp, France

Michael Graves Architecture & DesignMichael Graves Architecture & Design

1964 · Princeton, New Jersey, United States

Typeworkbureau
Year / years19561964
PlaceRonchamp, Ronchamp, FrancePrinceton, New Jersey, United States
Place contextRonchamp, Ronchamp, FranceRepresentative site: Minneapolis, Minneapolis, United States
Climate8°C · 14.0h daylight · 7 km/h wind9°C · 13.8h daylight · 9 km/h wind · via Minneapolis Institute of Art
FocusSacred building15 works in corpus
Architects
  • Le Corbusier
  • Michael Graves
Linked context

Bureaus

  • Atelier Le Corbusier

Notable works

  • Minneapolis Institute of Art
  • Detroit Institute of Arts
  • Michael C. Carlos Museum
  • Louwman Museum
Typologies
  • chapel
  • sacred space
  • museum
  • library
  • education
  • campus building
  • house
  • office
  • performance venue
  • hospitality
Materials

Not recorded yet.

  • timber
  • stone
Carbon signals

chapel and sacred space gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Stone look like the main embodied-carbon drivers in the current palette.

  • Stone
Lower-carbon levers

No levers surfaced yet.

  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
AccessibilityPublicly accessible9 of 9 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.