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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

MO Museum in Vilnius, Lithuania
MO Museum

2018 · Vilnius, Vilnius County, Lithuania

MO Museum image

Seed wave 65 image for the MO Museum.

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

MO Museum

Vilnius, Vilnius County, Lithuania · Exact work coordinates

OpenStreetMap
Field
MO MuseumMO Museum

2018 · Vilnius, Vilnius County, Lithuania

Michael Graves Architecture & DesignMichael Graves Architecture & Design

1964 · Princeton, New Jersey, United States

Typeworkbureau
Year / years20181964
PlaceVilnius, Vilnius County, LithuaniaPrinceton, New Jersey, United States
Place contextVilnius, Vilnius County, LithuaniaRepresentative site: Minneapolis, Minneapolis, United States
Climate6°C · 14.5h daylight · 13 km/h wind8°C · 13.7h daylight · 19 km/h wind · via Minneapolis Institute of Art
FocusMuseum15 works in corpus
Architects
  • Daniel Libeskind
  • Daniel Libeskind
  • Michael Graves
Linked context

Bureaus

  • Studio Libeskind

Notable works

  • Minneapolis Institute of Art
  • Detroit Institute of Arts
  • Michael C. Carlos Museum
  • Louwman Museum
Typologies
  • museum
  • modern art museum
  • cultural building
  • museum
  • library
  • education
  • campus building
  • house
  • office
  • performance venue
  • hospitality
Materials
  • concrete
  • glass
  • timber
  • stone
Carbon signals

Concrete and Glass look like the main embodied-carbon drivers in the current palette.

  • Concrete
  • Glass

Stone look like the main embodied-carbon drivers in the current palette.

  • Stone
Lower-carbon levers
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
AccessibilityPublicly accessible9 of 9 recorded works are publicly accessible
Related books

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