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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

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Projects

1 selected · 1 other item held elsewhere in the compare set

Bureaus

1 selected · 1 other item held elsewhere in the compare set

Visual compare

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

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Image 1

Makoko Floating School

2013-2016 · Lagos, Lagos, Nigeria

Lagos, Lagos, Nigeria

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Focused slot

Makoko Floating School

Image 1

Lagos, Lagos, Nigeria

Climate: Climate unavailable

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Comparison

Field
Makoko Floating School

2013-2016 · Lagos, Lagos, Nigeria

Michael Graves Architecture & DesignMichael Graves Architecture & Design

1964 · Princeton, New Jersey, United States

Typeworkbureau
Year / years2013-20161964
PlaceLagos, Lagos, NigeriaPrinceton, New Jersey, United States
Place contextLagos, Lagos, NigeriaRepresentative site: Minneapolis, Minneapolis, United States
ClimateClimate unavailable23°C · 13.8h daylight · 13 km/h wind · via Minneapolis Institute of Art
FocusFloating school prototype15 works in corpus
Architects
  • Kunle Adeyemi
  • Michael Graves
Linked context

Bureaus

  • NLE

Notable works

  • Minneapolis Institute of Art
  • Detroit Institute of Arts
  • Michael C. Carlos Museum
  • Louwman Museum
Typologies
  • infrastructure
  • school
  • floating architecture
  • museum
  • library
  • education
  • campus building
  • house
  • office
  • performance venue
  • hospitality
Materials
  • timber
  • bamboo
  • plastic
  • timber
  • stone
Carbon signals

Bamboo and Plastic look like the main embodied-carbon drivers in the current palette.

  • Bamboo
  • Plastic

Stone look like the main embodied-carbon drivers in the current palette.

  • Stone
Lower-carbon levers
  • Use classification and product-level EPD research to place this material more precisely.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
AccessibilityPrivate or restricted9 of 9 recorded works are publicly accessible
Related books

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