| Type | work | bureau |
|---|
| Year / years | 2016 | 1964 |
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| Place | Lisbon, Lisbon, Portugal | Princeton, New Jersey, United States |
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| Place context | Lisbon, Lisbon, Portugal | Representative site: Minneapolis, Minneapolis, United States |
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| Climate | 12°C · 13.3h daylight · 4 km/h wind | 18°C · 13.6h daylight · 16 km/h wind · via Minneapolis Institute of Art |
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| Focus | Museum | 15 works in corpus |
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| Architects | No architects linked yet. | |
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| Linked context | Bureaus No linked context yet. | Notable works - Minneapolis Institute of Art
- Detroit Institute of Arts
- Michael C. Carlos Museum
- Louwman Museum
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| Typologies | - museum
- art museum
- waterfront building
| - museum
- library
- education
- campus building
- house
- office
- performance venue
- hospitality
|
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| Materials | | |
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| Carbon signals | Concrete and Ceramic Tile look like the main embodied-carbon drivers in the current palette. | Stone look like the main embodied-carbon drivers in the current palette. |
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| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Use classification and product-level EPD research to place this material more precisely.
| - Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
- Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
|
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| Accessibility | Publicly accessible | 9 of 9 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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