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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

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Projects

1 selected · 1 other item held elsewhere in the compare set

Bureaus

1 selected · 1 other item held elsewhere in the compare set

Visual compare

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

La Tallera in Cuernavaca, Mexico

Hero image

La Tallera

2012 · Cuernavaca, Morelos, Mexico

La Tallera image

Seed wave 46 image for La Tallera.

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Site spread

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La Tallera

Cuernavaca, Morelos, Mexico · City-level coordinates only

OpenStreetMap

Comparison

Field
La TalleraLa Tallera

2012 · Cuernavaca, Morelos, Mexico

Michael Graves Architecture & DesignMichael Graves Architecture & Design

1964 · Princeton, New Jersey, United States

Typeworkbureau
Year / years20121964
PlaceCuernavaca, Morelos, MexicoPrinceton, New Jersey, United States
Place contextCuernavaca, Morelos, MexicoRepresentative site: Minneapolis, Minneapolis, United States
Climate20°C · 12.7h daylight · 4 km/h wind13°C · 13.8h daylight · 2 km/h wind · via Minneapolis Institute of Art
FocusArt space15 works in corpus
Architects
  • Frida Escobedo
  • Michael Graves
Linked context

Bureaus

  • Frida Escobedo

Notable works

  • Minneapolis Institute of Art
  • Detroit Institute of Arts
  • Michael C. Carlos Museum
  • Louwman Museum
Typologies
  • museum
  • art center
  • adaptive reuse
  • museum
  • library
  • education
  • campus building
  • house
  • office
  • performance venue
  • hospitality
Materials
  • concrete
  • masonry
  • painted surfaces
  • timber
  • stone
Carbon signals

Concrete, Brick, and Painted Surfaces look like the main embodied-carbon drivers in the current palette.

  • Concrete
  • Brick
  • Painted Surfaces

Stone look like the main embodied-carbon drivers in the current palette.

  • Stone
Lower-carbon levers
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
  • Use classification and product-level EPD research to place this material more precisely.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
AccessibilityPublicly accessible9 of 9 recorded works are publicly accessible
Related books

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