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Compare

Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Jazz at Lincoln Center in Manhattan, United States
Jazz at Lincoln Center

1991 · Manhattan, Manhattan, United States

Jazz at Lincoln Center image

Image associated with Jazz at Lincoln Center.

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Jazz at Lincoln Center

Manhattan, Manhattan, United States · Exact work coordinates

OpenStreetMap
Field
Jazz at Lincoln CenterJazz at Lincoln Center

1991 · Manhattan, Manhattan, United States

Michael Graves Architecture & DesignMichael Graves Architecture & Design

1964 · Princeton, New Jersey, United States

Typeworkbureau
Year / years19911964
PlaceManhattan, Manhattan, United StatesPrinceton, New Jersey, United States
Place contextManhattan, Manhattan, United StatesRepresentative site: Minneapolis, Minneapolis, United States
Climate5°C · 13.7h daylight · 6 km/h wind17°C · 13.9h daylight · 17 km/h wind · via Minneapolis Institute of Art
FocusEducation building15 works in corpus
Architects
  • Rafael Vinoly
  • Michael Graves
Linked context

Bureaus

  • Rafael Vinoly Architects

Notable works

  • Minneapolis Institute of Art
  • Detroit Institute of Arts
  • Michael C. Carlos Museum
  • Louwman Museum
Typologies
  • education
  • performance venue
  • museum
  • library
  • education
  • campus building
  • house
  • office
  • performance venue
  • hospitality
Materials

Not recorded yet.

  • timber
  • stone
Carbon signals

education and performance venue gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Stone look like the main embodied-carbon drivers in the current palette.

  • Stone
Lower-carbon levers

No levers surfaced yet.

  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
AccessibilityPublicly accessible9 of 9 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.