| Type | work | bureau |
|---|
| Year / years | 1956 | 1964 |
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| Place | Changsha, Changsha, People's Republic of China | Princeton, New Jersey, United States |
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| Place context | 东风路, 清水塘街道, 开福区, 湖南省, 中国 | Representative site: 3rd Avenue South, Phillips, Whittier, Minneapolis, Minnesota, United States |
|---|
| Climate | 17°C · 12.8h daylight · 6 km/h wind | 12°C · 13.5h daylight · 8 km/h wind · via Minneapolis Institute of Art |
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| Focus | Museum | 15 works in corpus |
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| Architects | | |
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| Linked context | Bureaus - Arata Isozaki & Associates
| Notable works - Minneapolis Institute of Art
- Detroit Institute of Arts
- Michael C. Carlos Museum
- Louwman Museum
|
|---|
| Typologies | | - museum
- library
- education
- campus building
- house
- office
- performance venue
- hospitality
|
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| Materials | Not recorded yet. | |
|---|
| Carbon signals | museum and landscape gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter. No dominant drivers yet. |
|---|
| Lower-carbon levers | No levers surfaced yet. | - Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
|
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| Accessibility | Publicly accessible | 9 of 9 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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