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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Gran Hotel Bolivar in Lima, Peru
Gran Hotel Bolivar

1924 · Lima, Lima Province, Peru

Gran Hotel Bolivar image

Seed wave 44 image for Gran Hotel Bolivar.

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Gran Hotel Bolivar

Lima, Lima Province, Peru · Exact work coordinates

OpenStreetMap
Field
Gran Hotel BolivarGran Hotel Bolivar

1924 · Lima, Lima Province, Peru

Michael Graves Architecture & DesignMichael Graves Architecture & Design

1964 · Princeton, New Jersey, United States

Typeworkbureau
Year / years19241964
PlaceLima, Lima Province, PeruPrinceton, New Jersey, United States
Place contextLima, Lima Province, PeruRepresentative site: Minneapolis, Minneapolis, United States
Climate21°C · 11.8h daylight · 12 km/h wind13°C · 13.8h daylight · 16 km/h wind · via Minneapolis Institute of Art
FocusHotel15 works in corpus
Architects
  • Rafael Marquina
  • Michael Graves
Linked context

Bureaus

  • Rafael Marquina

Notable works

  • Minneapolis Institute of Art
  • Detroit Institute of Arts
  • Michael C. Carlos Museum
  • Louwman Museum
Typologies
  • hotel
  • historic building
  • urban landmark
  • museum
  • library
  • education
  • campus building
  • house
  • office
  • performance venue
  • hospitality
Materials
  • masonry
  • concrete
  • ornamental stone
  • timber
  • stone
Carbon signals

Concrete, Brick, and Stone look like the main embodied-carbon drivers in the current palette.

  • Concrete
  • Brick
  • Stone

Stone look like the main embodied-carbon drivers in the current palette.

  • Stone
Lower-carbon levers
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
AccessibilityPublicly accessible9 of 9 recorded works are publicly accessible
Related books

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