| Type | work | bureau |
|---|
| Year / years | 1924 | 1964 |
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| Place | Lima, Lima Province, Peru | Princeton, New Jersey, United States |
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| Place context | Lima, Lima Province, Peru | Representative site: Minneapolis, Minneapolis, United States |
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| Climate | 21°C · 11.8h daylight · 12 km/h wind | 13°C · 13.8h daylight · 16 km/h wind · via Minneapolis Institute of Art |
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| Focus | Hotel | 15 works in corpus |
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| Architects | | |
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| Linked context | Bureaus | Notable works - Minneapolis Institute of Art
- Detroit Institute of Arts
- Michael C. Carlos Museum
- Louwman Museum
|
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| Typologies | - hotel
- historic building
- urban landmark
| - museum
- library
- education
- campus building
- house
- office
- performance venue
- hospitality
|
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| Materials | - masonry
- concrete
- ornamental stone
| |
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| Carbon signals | Concrete, Brick, and Stone look like the main embodied-carbon drivers in the current palette. | Stone look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
| - Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
- Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
|
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| Accessibility | Publicly accessible | 9 of 9 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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