Compare

Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

Projects

1 selected · 1 other item held elsewhere in the compare set

Bureaus

1 selected · 1 other item held elsewhere in the compare set

Visual compare

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

No plan or image is recorded for this slot yet.

Image 1

1971 · Hérémence, Hérémence, Switzerland

Hérémence, Hérémence, Switzerland

6°C · 13.9h daylight · 5 km/h wind

Map pins

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Saint-Nicolas Church, Hérémence

Hérémence, Hérémence, Switzerland · Exact work coordinates

Focused slot

Image 1

Hérémence, Hérémence, Switzerland

Climate: 6°C · 13.9h daylight · 5 km/h wind

Mapping: Exact work coordinates

Comparison

Field	Saint-Nicolas Church, Hérémence 1971 · Hérémence, Hérémence, Switzerland	Mayekawa Associates 1935 · Tokyo, Tokyo, Japan
Type	work	bureau
Year / years	1971	1935
Place	Hérémence, Hérémence, Switzerland	Tokyo, Tokyo, Japan
Place context	Hérémence, Hérémence, Switzerland	Representative site: Neustadt-Süd, Neustadt-Süd, Germany
Climate	6°C · 13.9h daylight · 5 km/h wind	11°C · 14.2h daylight · 14 km/h wind · via Museum of East Asian Art (Cologne)
Focus	Sacred building	16 works in corpus
Architects	Walter Förderer	Kunio Maekawa
Linked context	Bureaus Walter Förderer	Notable works Museum of East Asian Art (Cologne) Saitama Museum of Natural History Tokyo Metropolitan Art Museum National Museum of Modern Art, Tokyo
Typologies	church sacred space	museum gallery landscape house performance venue
Materials	Not recorded yet.	Not recorded yet.
Carbon signals	church and sacred space gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet.	museum, gallery, landscape, and house gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet.
Lower-carbon levers	No levers surfaced yet.	No levers surfaced yet.
Accessibility	Publicly accessible	15 of 15 recorded works are publicly accessible
Related books	No linked books yet.	No linked books yet.