saved.archi

your architecture companion

Compare

Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Asakusa Culture Tourist Information Center

Tokyo, Tokyo, Japan · Exact work coordinates

OpenStreetMap
Field
Mayekawa AssociatesMayekawa Associates

1935 · Tokyo, Tokyo, Japan

Typeworkbureau
Year / years20121935
PlaceTokyo, Tokyo, JapanTokyo, Tokyo, Japan
Place contextTokyo, Tokyo, JapanRepresentative site: Neustadt-Süd, Neustadt-Süd, Germany
Climate9°C · 13.3h daylight · 3 km/h wind11°C · 14.2h daylight · 14 km/h wind · via Museum of East Asian Art (Cologne)
FocusTourist information center16 works in corpus
Architects
  • Kengo Kuma
  • Kunio Maekawa
Linked context

Bureaus

  • Kengo Kuma & Associates

Notable works

  • Museum of East Asian Art (Cologne)
  • Saitama Museum of Natural History
  • Tokyo Metropolitan Art Museum
  • National Museum of Modern Art, Tokyo
Typologies
  • civic building
  • tourism infrastructure
  • urban infill
  • museum
  • gallery
  • landscape
  • house
  • performance venue
Materials
  • wood
  • glass
  • steel

Not recorded yet.

Carbon signals

Steel and Glass look like the main embodied-carbon drivers in the current palette.

  • Steel
  • Glass

museum, gallery, landscape, and house gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Lower-carbon levers
  • Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.

No levers surfaced yet.

AccessibilityPublicly accessible15 of 15 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.