| Type | work | bureau |
|---|
| Year / years | 2000 | 1935 |
|---|
| Place | Central Islip, Central Islip, United States | Tokyo, Tokyo, Japan |
|---|
| Place context | Central Islip, Central Islip, United States | Representative site: Neustadt-Süd, Neustadt-Süd, Germany |
|---|
| Climate | 3°C · 13.5h daylight · 7 km/h wind | 6°C · 14.2h daylight · 8 km/h wind · via Museum of East Asian Art (Cologne) |
|---|
| Focus | House | 16 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus - Richard Meier & Partners Architects
| Notable works - Museum of East Asian Art (Cologne)
- Saitama Museum of Natural History
- Tokyo Metropolitan Art Museum
- National Museum of Modern Art, Tokyo
|
|---|
| Typologies | | - museum
- gallery
- landscape
- house
- performance venue
|
|---|
| Materials | | Not recorded yet. |
|---|
| Carbon signals | Adobe and Glass look like the main embodied-carbon drivers in the current palette. | museum, gallery, landscape, and house gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Use classification and product-level EPD research to place this material more precisely.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| No levers surfaced yet. |
|---|
| Accessibility | Publicly accessible | 15 of 15 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|
