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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

National Theatre of Iceland in Reykjavik
National Theatre of Iceland

1950 · Reykjavik, Capital Region, Iceland

National Theatre of Iceland image

Seed wave 43 image for the National Theatre of Iceland.

Site spread

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National Theatre of Iceland

Hero image

Seed wave 43 image for the National Theatre of Iceland.

Credit:

Rights: Unknown · unknown

Field
National Theatre of IcelandNational Theatre of Iceland

1950 · Reykjavik, Capital Region, Iceland

Mario Pani ArquitectoMario Pani Arquitecto

1934 · Mexico City, Mexico City, Mexico

Typeworkbureau
Year / years19501934
PlaceReykjavik, Capital Region, IcelandMexico City, Mexico City, Mexico
Place contextReykjavik, Capital Region, IcelandRepresentative site: Mexico City, Mexico City, Mexico
ClimateClimate unavailable15°C · 12.7h daylight · 3 km/h wind · via Ciudad Universitaria, Mexico City
FocusNational theatre3 works in corpus
Architects
  • Guðjón Samúelsson
  • Mario Pani
Linked context

Bureaus

  • Guðjón Samúelsson

Notable works

  • Ciudad Universitaria, Mexico City
  • Torre Insignia
  • Conjunto Urbano Nonoalco Tlatelolco
Typologies
  • theatre
  • cultural building
  • civic building
  • museum
  • library
  • education
  • campus building
  • housing
  • house
  • tower
  • landscape
Materials
  • concrete
  • stone
  • concrete
Carbon signals

Concrete and Stone look like the main embodied-carbon drivers in the current palette.

  • Concrete
  • Stone

Concrete look like the main embodied-carbon drivers in the current palette.

  • Concrete
Lower-carbon levers
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
AccessibilityPublicly accessible2 of 2 recorded works are publicly accessible
Related books

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