| Type | work | bureau |
|---|
| Year / years | 1990 | 1970 |
|---|
| Place | Florida, Florida, United States | Lugano, Ticino, Switzerland |
|---|
| Place context | Epcot Resorts Boulevard, Florida, United States | Representative site: Route Martin-Bodmer, Cologny, Genève, Schweiz/Suisse/Svizzera/Svizra |
|---|
| Climate | 31°C · 13.0h daylight · 10 km/h wind | 14°C · 13.8h daylight · 13 km/h wind · via Bodmer Library |
|---|
| Focus | Performance venue | 12 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus - Michael Graves Architecture & Design
| Notable works - Bodmer Library
- San Francisco Museum of Modern Art
- Museum of Modern and Contemporary Art of Trento and Rovereto
- Watari Museum of Contemporary Art
|
|---|
| Typologies | - performance venue
- hospitality
| - museum
- library
- house
- church
- sacred space
- cathedral
- education
- campus building
|
|---|
| Materials | | Not recorded yet. |
|---|
| Carbon signals | The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter. No dominant drivers yet. | museum, library, house, and church gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
| No levers surfaced yet. |
|---|
| Accessibility | Publicly accessible | 10 of 10 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|