| Type | work | bureau |
|---|
| Year / years | 2010 | 1970 |
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| Place | Lausanne, Vaud, Switzerland | Lugano, Ticino, Switzerland |
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| Place context | Lausanne, Vaud, Switzerland | Representative site: Cologny, Cologny, Switzerland |
|---|
| Climate | 15°C · 13.8h daylight · 9 km/h wind | 17°C · 13.8h daylight · 9 km/h wind · via Bodmer Library |
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| Focus | University learning center | 12 works in corpus |
|---|
| Architects | - Kazuyo Sejima
- Ryue Nishizawa
| |
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| Linked context | Bureaus | Notable works - Bodmer Library
- San Francisco Museum of Modern Art
- Museum of Modern and Contemporary Art of Trento and Rovereto
- Watari Museum of Contemporary Art
|
|---|
| Typologies | - university building
- learning center
- academic building
| - museum
- library
- house
- church
- sacred space
- cathedral
- education
- campus building
|
|---|
| Materials | | Not recorded yet. |
|---|
| Carbon signals | Concrete, Steel, and Glass look like the main embodied-carbon drivers in the current palette. | museum, library, house, and church gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| No levers surfaced yet. |
|---|
| Accessibility | Publicly accessible | 10 of 10 recorded works are publicly accessible |
|---|
| Related books | | No linked books yet. |
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