| Type | work | bureau |
|---|
| Year / years | Unknown | 1965 |
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| Place | Ormont-Dessus, Ormont-Dessus, Switzerland | Tokyo, Tokyo, Japan |
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| Place context | Peak Walk, Ormont-Dessus, Vaud, Schweiz/Suisse/Svizzera/Svizra | Representative site: 都営 国立競技場駅, 千駄ヶ谷一丁目, 渋谷区, 日本 |
|---|
| Climate | -4°C · 13.5h daylight · 5 km/h wind | 13°C · 13.1h daylight · 2 km/h wind · via Tokyo Metropolitan Gymnasium |
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| Focus | Architecture | 12 works in corpus |
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| Architects | | |
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| Linked context | Bureaus | Notable works - Tokyo Metropolitan Gymnasium
- National Museum of Modern Art, Kyoto
- Japanese Sword Museum
- Iwasaki Art Museum
|
|---|
| Typologies | | - building
- museum
- performance venue
- office
- gallery
- house
- hospitality
- tower
|
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| Materials | Not recorded yet. | |
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| Carbon signals | infrastructure gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | Steel, Glass, and Stone look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | No levers surfaced yet. | - Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
- Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
|
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| Accessibility | Access not recorded | 6 of 6 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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