| Type | work | bureau |
|---|
| Year / years | 1977 | 1965 |
|---|
| Place | Michigan City, Michigan City, United States | Tokyo, Tokyo, Japan |
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| Place context | Michigan City, Michigan City, United States | Representative site: Sendagaya, Sendagaya, Japan |
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| Climate | 2°C · 13.6h daylight · 4 km/h wind | 21°C · 13.3h daylight · 7 km/h wind · via Tokyo Metropolitan Gymnasium |
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| Focus | Architecture | 15 works in corpus |
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| Architects | | |
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| Linked context | Bureaus | Notable works - Tokyo Metropolitan Gymnasium
- National Museum of Modern Art, Kyoto
- Japanese Sword Museum
- Iwasaki Art Museum
|
|---|
| Typologies | | - building
- museum
- performance venue
- office
- gallery
- house
- hospitality
- tower
|
|---|
| Materials | Not recorded yet. | - concrete
- glass
- steel
- granite
- rammed earth
- stone
- earth
|
|---|
| Carbon signals | library gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | Concrete, Steel, and Earth look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | No levers surfaced yet. | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Use classification and product-level EPD research to place this material more precisely.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
|
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| Accessibility | Publicly accessible | 7 of 7 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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