| Type | work | bureau |
|---|
| Year / years | 2013 | 1930 |
|---|
| Place | Dunkirk, Hauts-de-France, France | Rio de Janeiro, Rio de Janeiro, Brazil |
|---|
| Place context | Dunkirk, Hauts-de-France, France | Representative site: Rio de Janeiro, Rio de Janeiro, Brazil |
|---|
| Climate | 11°C · 14.2h daylight · 16 km/h wind | 28°C · 11.5h daylight · 10 km/h wind · via Vila Operária da Gamboa |
|---|
| Focus | Art center | 2 works in corpus |
|---|
| Architects | - Anne Lacaton
- Jean-Philippe Vassal
- Lacaton & Vassal
| |
|---|
| Linked context | Bureaus - Lacaton & Vassal
- Lacaton & Vassal
| Notable works - Vila Operária da Gamboa
- Brasília TV Tower
|
|---|
| Typologies | - museum
- adaptive reuse
- cultural building
| - building
- museum
- tower
- landscape
|
|---|
| Materials | | Not recorded yet. |
|---|
| Carbon signals | Steel, Glass, and Polycarbonate look like the main embodied-carbon drivers in the current palette. | building, museum, tower, and landscape gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
- Use classification and product-level EPD research to place this material more precisely.
| No levers surfaced yet. |
|---|
| Accessibility | Publicly accessible | 1 of 1 recorded works are publicly accessible |
|---|
| Related books | | No linked books yet. |
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