| Type | work | bureau |
|---|
| Year / years | 1953 | 1947-1974 |
|---|
| Place | Jerusalem, Jerusalem, Israel | Philadelphia, Pennsylvania, United States |
|---|
| Place context | יפה נוף, ירושלים | القدس, מחוז ירושלים, ישראל | Representative site: Torrey Pines Scenic Drive, Torrey Pines, San Diego, California, United States |
|---|
| Climate | 11°C · 12.9h daylight · 3 km/h wind | 17°C · 12.9h daylight · 18 km/h wind · via Salk Institute |
|---|
| Focus | Architecture | 3 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus | Notable works - Salk Institute
- Jatiya Sangsad Bhaban
- Kimbell Art Museum
|
|---|
| Typologies | | - institutional building
- research campus
- laboratory
- parliament
- civic building
- government building
- museum
- art museum
|
|---|
| Materials | Not recorded yet. | - concrete
- teak
- travertine
- marble
- aluminum
|
|---|
| Carbon signals | memorial gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | Aluminum, Concrete, and Stone look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | No levers surfaced yet. | - Focus on recycled content, lighter assemblies, and careful facade-specification choices.
- Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
- Use classification and product-level EPD research to place this material more precisely.
|
|---|
| Accessibility | Access not recorded | 3 of 3 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | |
|---|