| Type | work | bureau |
|---|
| Year / years | 2010 | 1947-1974 |
|---|
| Place | Lausanne, Switzerland | Philadelphia, Pennsylvania, United States |
|---|
| Place context | Route Cantonale, Ecublens, Vaud, Schweiz/Suisse/Svizzera/Svizra | Representative site: Torrey Pines Scenic Drive, Torrey Pines, San Diego, California, United States |
|---|
| Climate | 11°C · 13.4h daylight · 10 km/h wind | 18°C · 12.9h daylight · 17 km/h wind · via Salk Institute |
|---|
| Focus | Library and learning center | 2 works in corpus |
|---|
| Architects | - Kazuyo Sejima
- Ryue Nishizawa
| |
|---|
| Linked context | Bureaus | Notable works - Salk Institute
- Kimbell Art Museum
|
|---|
| Typologies | - education
- library
- campus building
| - institutional building
- research campus
- laboratory
- museum
- cultural building
|
|---|
| Materials | | - concrete
- teak
- travertine
- oak
|
|---|
| Carbon signals | Concrete, Steel, and Glass look like the main embodied-carbon drivers in the current palette. | Concrete, Oak, and Teak look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Use classification and product-level EPD research to place this material more precisely.
|
|---|
| Accessibility | Publicly accessible | 2 of 2 recorded works are publicly accessible |
|---|
| Related books | | |
|---|