| Type | work | bureau |
|---|
| Year / years | 1964 | 1947-1974 |
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| Place | Queens, Queens, United States | Philadelphia, Pennsylvania, United States |
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| Place context | Queens, Queens, United States | Representative site: La Jolla, California, United States |
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| Climate | 29°C · 13.3h daylight · 18 km/h wind | 18°C · 13.0h daylight · 11 km/h wind · via Salk Institute |
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| Focus | House | 3 works in corpus |
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| Architects | | |
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| Linked context | Bureaus | Notable works - Salk Institute
- Jatiya Sangsad Bhaban
- Kimbell Art Museum
|
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| Typologies | - house
- performance venue
- landscape
| - institutional building
- research campus
- laboratory
- parliament
- civic building
- government building
- museum
- art museum
|
|---|
| Materials | Not recorded yet. | - concrete
- teak
- travertine
- marble
- aluminum
|
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| Carbon signals | house, performance venue, and landscape gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | Aluminum, Concrete, and Stone look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | No levers surfaced yet. | - Focus on recycled content, lighter assemblies, and careful facade-specification choices.
- Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
- Use classification and product-level EPD research to place this material more precisely.
|
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| Accessibility | Publicly accessible | 3 of 3 recorded works are publicly accessible |
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| Related books | No linked books yet. | |
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