| Type | work | bureau |
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| Year / years | 1999 | 1951-1992 |
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| Place | Nara, Nara, Japan | Sao Paulo, Brazil |
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| Place context | 西木辻町, 奈良市, 日本 | Representative site: Rua General Américo de Moura, Morumbi, São Paulo, São Paulo, Brasil |
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| Climate | 21°C · 13.0h daylight · 8 km/h wind | 17°C · 11.6h daylight · 4 km/h wind · via Casa de Vidro |
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| Focus | Architecture | 3 works in corpus |
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| Architects | | |
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| Linked context | Bureaus - Arata Isozaki & Associates
| Notable works - Casa de Vidro
- Sao Paulo Museum of Art
- SESC Pompeia
|
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| Typologies | | - residence
- house
- museum
- cultural building
- civic building
- adaptive reuse
- cultural center
- sports and leisure
|
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| Materials | Not recorded yet. | |
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| Carbon signals | gallery gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | Concrete, Steel, and Brick look like the main embodied-carbon drivers in the current palette. |
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| Lower-carbon levers | No levers surfaced yet. | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
|
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| Accessibility | Publicly accessible | 3 of 3 recorded works are publicly accessible |
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| Related books | No linked books yet. | |
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