| Type | work | bureau |
|---|
| Year / years | 1900 | 1951-1992 |
|---|
| Place | Houston, Houston, United States | Sao Paulo, Brazil |
|---|
| Place context | Bissonnet Street, Houston, Texas, United States | Representative site: Rua General Américo de Moura, Morumbi, São Paulo, São Paulo, Brasil |
|---|
| Climate | 24°C · 12.9h daylight · 14 km/h wind | 21°C · 11.6h daylight · 7 km/h wind · via Casa de Vidro |
|---|
| Focus | Museum | 3 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus | Notable works - Casa de Vidro
- Sao Paulo Museum of Art
- SESC Pompeia
|
|---|
| Typologies | - museum
- gallery
- campus building
| - residence
- house
- museum
- cultural building
- civic building
- adaptive reuse
- cultural center
- sports and leisure
|
|---|
| Materials | Not recorded yet. | |
|---|
| Carbon signals | museum, gallery, and campus building gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | Concrete, Steel, and Brick look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | No levers surfaced yet. | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
|
|---|
| Accessibility | Publicly accessible | 3 of 3 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | |
|---|