| Type | work | bureau |
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| Year / years | 1989 | 1951-1992 |
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| Place | Ibaraki, Osaka, Japan | Sao Paulo, Brazil |
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| Place context | 茨木摂津線, 千里万博公園, 吹田市, 日本 | Representative site: Rua General Américo de Moura, Morumbi, São Paulo, São Paulo, Brasil |
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| Climate | 17°C · 13.0h daylight · 5 km/h wind | 20°C · 11.6h daylight · 7 km/h wind · via Casa de Vidro |
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| Focus | Church | 3 works in corpus |
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| Architects | | |
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| Linked context | Bureaus - Tadao Ando Architect & Associates
| Notable works - Casa de Vidro
- Sao Paulo Museum of Art
- SESC Pompeia
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| Typologies | | - residence
- house
- museum
- cultural building
- civic building
- adaptive reuse
- cultural center
- sports and leisure
|
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| Materials | | |
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| Carbon signals | Concrete and Glass look like the main embodied-carbon drivers in the current palette. | Concrete, Steel, and Brick look like the main embodied-carbon drivers in the current palette. |
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| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
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| Accessibility | Publicly accessible | 3 of 3 recorded works are publicly accessible |
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| Related books | | |
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