| Type | work | bureau |
|---|
| Year / years | 2020 | 1965 |
|---|
| Place | Yeongdeungpo District, Yeongdeungpo District, South Korea | Mexico City, Mexico City, Mexico |
|---|
| Place context | Yeongdeungpo District, Yeongdeungpo District, South Korea | Representative site: Monterrey, Monterrey, Mexico |
|---|
| Climate | 11°C · 13.2h daylight · 3 km/h wind | 20°C · 12.8h daylight · 4 km/h wind · via Museo de Arte Contemporáneo de Monterrey |
|---|
| Focus | Architecture | 5 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus - Rogers Stirk Harbour + Partners
| Notable works - Museo de Arte Contemporáneo de Monterrey
- Immaculate Conception Cathedral, Managua
- Papalote Museo del Niño
- Fashion and Textile Museum
|
|---|
| Typologies | | - museum
- cathedral
- sacred space
- performance venue
- tower
- hospitality
- office
|
|---|
| Materials | Not recorded yet. | Not recorded yet. |
|---|
| Carbon signals | building gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | museum, cathedral, sacred space, and performance venue gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | No levers surfaced yet. | No levers surfaced yet. |
|---|
| Accessibility | Access not recorded | 4 of 4 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|