| Type | work | bureau |
|---|
| Year / years | 1972 | 1965 |
|---|
| Place | Fort Worth, Texas, United States | Mexico City, Mexico City, Mexico |
|---|
| Place context | Fort Worth, Texas, United States | Representative site: Monterrey, Monterrey, Mexico |
|---|
| Climate | 13°C · 13.2h daylight · 7 km/h wind | 11°C · 12.9h daylight · 2 km/h wind · via Museo de Arte Contemporáneo de Monterrey |
|---|
| Focus | Museum | 5 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus | Notable works - Museo de Arte Contemporáneo de Monterrey
- Immaculate Conception Cathedral, Managua
- Papalote Museo del Niño
- Fashion and Textile Museum
|
|---|
| Typologies | - museum
- art museum
- cultural building
| - museum
- cathedral
- sacred space
- performance venue
- tower
- hospitality
- office
|
|---|
| Materials | - concrete
- travertine
- aluminum
| Not recorded yet. |
|---|
| Carbon signals | Aluminum, Concrete, and Travertine look like the main embodied-carbon drivers in the current palette. - Aluminum
- Concrete
- Travertine
| museum, cathedral, sacred space, and performance venue gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Focus on recycled content, lighter assemblies, and careful facade-specification choices.
- Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Use classification and product-level EPD research to place this material more precisely.
| No levers surfaced yet. |
|---|
| Accessibility | Publicly accessible | 4 of 4 recorded works are publicly accessible |
|---|
| Related books | | No linked books yet. |
|---|