| Type | work | bureau |
|---|
| Year / years | 1978 | 1965 |
|---|
| Place | Santa Monica, California, United States | Mexico City, Mexico City, Mexico |
|---|
| Place context | Santa Monica, California, United States | Representative site: Monterrey, Monterrey, Mexico |
|---|
| Climate | 12°C · 13.2h daylight · 6 km/h wind | 12°C · 12.9h daylight · 1 km/h wind · via Museo de Arte Contemporáneo de Monterrey |
|---|
| Focus | Houses | 5 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus | Notable works - Museo de Arte Contemporáneo de Monterrey
- Immaculate Conception Cathedral, Managua
- Papalote Museo del Niño
- Fashion and Textile Museum
|
|---|
| Typologies | | - museum
- cathedral
- sacred space
- performance venue
- tower
- hospitality
- office
|
|---|
| Materials | | Not recorded yet. |
|---|
| Carbon signals | Steel and Glass look like the main embodied-carbon drivers in the current palette. | museum, cathedral, sacred space, and performance venue gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
- Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
| No levers surfaced yet. |
|---|
| Accessibility | Access not recorded | 4 of 4 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|