| Type | work | bureau |
|---|
| Year / years | 1990 | 1962 |
|---|
| Place | Florida, Florida, United States | Tokyo, Tokyo, Japan |
|---|
| Place context | Epcot Resorts Boulevard, Florida, United States | Representative site: 松江鹿島美保関線, 松江市, 日本 |
|---|
| Climate | 30°C · 12.8h daylight · 17 km/h wind | 15°C · 13.1h daylight · 5 km/h wind · via Tanabe Art Museum |
|---|
| Focus | Performance venue | 6 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus - Michael Graves Architecture & Design
| Notable works - Tanabe Art Museum
- Sezon Museum of Modern Art
- Edo-Tokyo Museum
- National Showa Memorial Museum
|
|---|
| Typologies | - performance venue
- hospitality
| - museum
- house
- performance venue
- infrastructure
- memorial
|
|---|
| Materials | | Not recorded yet. |
|---|
| Carbon signals | The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter. No dominant drivers yet. | museum, house, performance venue, and infrastructure gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
| No levers surfaced yet. |
|---|
| Accessibility | Publicly accessible | 6 of 6 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|