| Type | work | bureau |
|---|
| Year / years | 1930 | 1962 |
|---|
| Place | Montevideo, Montevideo Department, Uruguay | Tokyo, Tokyo, Japan |
|---|
| Place context | Montevideo, Montevideo Department, Uruguay | Representative site: Matsue, Matsue, Japan |
|---|
| Climate | 18°C · 11.0h daylight · 21 km/h wind | 18°C · 13.3h daylight · 6 km/h wind · via Tanabe Art Museum |
|---|
| Focus | House museum | 6 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus | Notable works - Tanabe Art Museum
- Sezon Museum of Modern Art
- Edo-Tokyo Museum
- National Showa Memorial Museum
|
|---|
| Typologies | | - museum
- house
- performance venue
- infrastructure
- memorial
|
|---|
| Materials | | Not recorded yet. |
|---|
| Carbon signals | Brick and Stucco look like the main embodied-carbon drivers in the current palette. | museum, house, performance venue, and infrastructure gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Use classification and product-level EPD research to place this material more precisely.
- Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
| No levers surfaced yet. |
|---|
| Accessibility | Publicly accessible | 6 of 6 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|