| Type | work | bureau |
|---|
| Year / years | 2017 | 1962 |
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| Place | Hamburg, Hamburg, Germany | Tokyo, Tokyo, Japan |
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| Place context | Hamburg, Hamburg, Germany | Representative site: Matsue, Matsue, Japan |
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| Climate | 9°C · 14.3h daylight · 14 km/h wind | 14°C · 13.3h daylight · 6 km/h wind · via Tanabe Art Museum |
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| Focus | Concert hall | 6 works in corpus |
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| Architects | - Jacques Herzog
- Pierre de Meuron
| |
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| Linked context | Bureaus | Notable works - Tanabe Art Museum
- Sezon Museum of Modern Art
- Edo-Tokyo Museum
- National Showa Memorial Museum
|
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| Typologies | - concert hall
- adaptive reuse
- cultural building
| - museum
- house
- performance venue
- infrastructure
- memorial
|
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| Materials | | Not recorded yet. |
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| Carbon signals | Steel, Brick, and Glass look like the main embodied-carbon drivers in the current palette. | museum, house, performance venue, and infrastructure gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| No levers surfaced yet. |
|---|
| Accessibility | Publicly accessible | 6 of 6 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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