| Type | work | bureau |
|---|
| Year / years | 1998 | 1962 |
|---|
| Place | City of London, City of London, United Kingdom | Tokyo, Tokyo, Japan |
|---|
| Place context | City of London, City of London, United Kingdom | Representative site: Matsue, Matsue, Japan |
|---|
| Climate | 10°C · 14.2h daylight · 8 km/h wind | 16°C · 13.3h daylight · 6 km/h wind · via Tanabe Art Museum |
|---|
| Focus | Architecture | 6 works in corpus |
|---|
| Architects | | |
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| Linked context | Bureaus - Rogers Stirk Harbour + Partners
| Notable works - Tanabe Art Museum
- Sezon Museum of Modern Art
- Edo-Tokyo Museum
- National Showa Memorial Museum
|
|---|
| Typologies | | - museum
- house
- performance venue
- infrastructure
- memorial
|
|---|
| Materials | | Not recorded yet. |
|---|
| Carbon signals | The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter. No dominant drivers yet. | museum, house, performance venue, and infrastructure gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
| No levers surfaced yet. |
|---|
| Accessibility | Access not recorded | 6 of 6 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|