| Type | work | bureau |
|---|
| Year / years | 2000 | 1946 |
|---|
| Place | Frederikshavn Municipality, Frederikshavn Municipality, Denmark | Tokyo, Tokyo, Japan |
|---|
| Place context | Frederikshavn Municipality, Frederikshavn Municipality, Denmark | Representative site: Minneapolis, Minneapolis, United States |
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| Climate | 5°C · 14.8h daylight · 26 km/h wind | 4°C · 13.7h daylight · 6 km/h wind · via Minneapolis Institute of Art |
|---|
| Focus | Museum | 28 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus | Notable works - Minneapolis Institute of Art
- Assumption of Mary Cathedral, Hiroshima
- Grand Prince Hotel Akasaka
- Hiroshima Peace Memorial Museum
|
|---|
| Typologies | - museum
- house
- performance venue
| - museum
- church
- sacred space
- cathedral
- memorial
- hospitality
- landscape
- sports venue
|
|---|
| Materials | Not recorded yet. | |
|---|
| Carbon signals | museum, house, and performance venue gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | Concrete look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | No levers surfaced yet. | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
|
|---|
| Accessibility | Publicly accessible | 13 of 13 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|