| Type | work | bureau |
|---|
| Year / years | 2010 | 1946 |
|---|
| Place | Lausanne, Vaud, Switzerland | Tokyo, Tokyo, Japan |
|---|
| Place context | Lausanne, Vaud, Switzerland | Representative site: Minneapolis, Minneapolis, United States |
|---|
| Climate | 16°C · 13.8h daylight · 9 km/h wind | 2°C · 13.8h daylight · 13 km/h wind · via Minneapolis Institute of Art |
|---|
| Focus | University learning center | 28 works in corpus |
|---|
| Architects | - Kazuyo Sejima
- Ryue Nishizawa
| |
|---|
| Linked context | Bureaus | Notable works - Minneapolis Institute of Art
- Assumption of Mary Cathedral, Hiroshima
- Grand Prince Hotel Akasaka
- Hiroshima Peace Memorial Museum
|
|---|
| Typologies | - university building
- learning center
- academic building
| - museum
- church
- sacred space
- cathedral
- memorial
- hospitality
- landscape
- sports venue
|
|---|
| Materials | | |
|---|
| Carbon signals | Concrete, Steel, and Glass look like the main embodied-carbon drivers in the current palette. | Concrete look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
|
|---|
| Accessibility | Publicly accessible | 13 of 13 recorded works are publicly accessible |
|---|
| Related books | | No linked books yet. |
|---|