| Type | work | bureau |
|---|
| Year / years | 1925 | 1946 |
|---|
| Place | Grenoble, Grenoble, France | Tokyo, Tokyo, Japan |
|---|
| Place context | Grenoble, Grenoble, France | Representative site: Minneapolis, Minneapolis, United States |
|---|
| Climate | 13°C · 13.8h daylight · 3 km/h wind | 6°C · 13.7h daylight · 12 km/h wind · via Minneapolis Institute of Art |
|---|
| Focus | Landscape project | 28 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus | Notable works - Minneapolis Institute of Art
- Assumption of Mary Cathedral, Hiroshima
- Grand Prince Hotel Akasaka
- Hiroshima Peace Memorial Museum
|
|---|
| Typologies | | - museum
- church
- sacred space
- cathedral
- memorial
- hospitality
- landscape
- sports venue
|
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| Materials | | |
|---|
| Carbon signals | Concrete look like the main embodied-carbon drivers in the current palette. | Concrete look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
|
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| Accessibility | Publicly accessible | 13 of 13 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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