| Type | work | bureau |
|---|
| Year / years | 2002 | 1946 |
|---|
| Place | Sao Paulo, Sao Paulo, Brazil | Tokyo, Tokyo, Japan |
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| Place context | Sao Paulo, Sao Paulo, Brazil | Representative site: Minneapolis, Minneapolis, United States |
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| Climate | 18°C · 11.4h daylight · 6 km/h wind | 16°C · 13.8h daylight · 8 km/h wind · via Minneapolis Institute of Art |
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| Focus | Public square canopy and urban intervention | 28 works in corpus |
|---|
| Architects | | |
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| Linked context | Bureaus - Paulo Mendes da Rocha Arquitetos
| Notable works - Minneapolis Institute of Art
- Assumption of Mary Cathedral, Hiroshima
- Grand Prince Hotel Akasaka
- Hiroshima Peace Memorial Museum
|
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| Typologies | - public space
- urban intervention
- civic infrastructure
| - museum
- church
- sacred space
- cathedral
- memorial
- hospitality
- landscape
- sports venue
|
|---|
| Materials | | |
|---|
| Carbon signals | Concrete and Steel look like the main embodied-carbon drivers in the current palette. | Concrete look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
|
|---|
| Accessibility | Publicly accessible | 13 of 13 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
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